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Pontormo
Resurrection of Christ
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ID: 62031
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Pontormo
Italian Mannerist Painter, 1494-ca.1556
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. Related Paintings of Pontormo :. | The Virgin and Child with Four Saints and the Good Thief with (mk05) | The Fall of Adam and Eve | Access map | The Visitacion | Vertumnus and Pomona | Related Artists: Frank Vizetelly1830-1883 Martin, HenriFrench Post-Impressionist Painter, 1860-1943
French painter. After winning the Grand Prix at the Ecole des Beaux-Arts in Toulouse, he moved to Paris (1879) to study at the Ecole des Beaux-Arts there under Jean-Paul Laurens, who encouraged his interest in Veronese and other Venetian painters. The literary inspiration of his early work was reflected in such paintings as Paolo de Malatesta and Francesca da Rimini in Hell (1883; Carcassonne, Mus. B.-A.) based on Dante, for which he won a medal at the Salon of 1883. During his subsequent study in Rome, however, on a fellowship awarded to him at the Salon, Eugene Delahogue1867-1935
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All the Albert Bierstadt's Oil Paintings
Supported by oil paintings and picture frames

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